Seattle University's ambitious plans to construct a new art museum on 12th Avenue have sparked controversy within the local arts community. The proposed museum, set to house a $300 million art collection, will replace the beloved Lee Center for the Arts. Faculty and students express concerns about the loss of this vital cultural hub and its impact on both the university and Capitol Hill's artistic landscape. Despite the university's promises of enhanced resources and facilities through partnerships with Cornish College of the Arts, many feel that the decision was made without adequate consultation or consideration of the Lee Center's unique contributions.
The Lee Center has been an integral part of Seattle University's campus and the broader arts community for decades. Built in the 1930s and renovated in 2006, this historic building houses a versatile theater and gallery space that has fostered countless performances and exhibitions. Its flexible design and proximity to academic life have made it an invaluable resource for students and faculty alike. The center not only supports the university's performing and visual arts programs but also serves as a venue for local theater groups, enhancing the cultural fabric of Capitol Hill.
Named after Seattle University alumni Jeanne Marie and Rhoady Lee Jr., the Lee Center occupies a strategic location at the corner of 12th Avenue and East Marion Street. Inside its 22,000-square-foot structure, the center features a 150-seat black-box theater, a spacious lobby, and an art gallery. These facilities have provided a nurturing environment for artistic expression, collaboration, and celebration. For many, the Lee Center represents more than just a building; it symbolizes the heart of the university's creative endeavors. Students like Anniyah Fitzhugh emphasize its role in fostering a vibrant arts culture, making its potential demolition particularly distressing.
While Seattle University touts the benefits of the new museum and expanded access to Cornish College's performance spaces, many within the arts community are skeptical. Faculty members and students argue that the decision to demolish the Lee Center was made hastily, without sufficient input from those who use the space daily. Assistant Professor Janet Hayatshahi warns that losing the Lee Center could alter the cultural landscape of Capitol Hill and weaken the university's commitment to the arts. The transition to off-campus venues like the Cornish Playhouse raises concerns about increased costs and logistical challenges, potentially undermining the quality and accessibility of arts education.
Academic program coordinator Aly Bedford and teaching professor Dominic CodyKramers highlight the frustration over how the decision was communicated. Rumors circulated among collaborators at Cornish before official announcements were made, leading to feelings of exclusion and disillusionment. The administration's response to these concerns has been met with criticism, as many feel their expertise was overlooked. Students are now organizing events such as "Scratched Out" to raise awareness and demonstrate the Lee Center's indispensability. Ultimately, the debate surrounding the Lee Center underscores the importance of preserving cherished cultural spaces while embracing future opportunities.