In the heart of Houston’s Third Ward, an abandoned medical clinic is set to undergo a transformative renovation. This historic building, designed by Texas' pioneering Black architect John Chase, will soon become the permanent home for the Community Music Center of Houston (CMCH). Founded in 1979, CMCH has long sought a stable base of operations. Now, with the acquisition of this significant property at 3020 Holman Street, the organization aims to preserve its legacy while fostering a new era of cultural expression through music. The restoration project, led by Urbano Architects, promises to breathe life back into the structure, turning former examination rooms into rehearsal spaces and adding a performance venue for the community. This initiative not only honors the past but also paves the way for future generations to engage with the rich musical heritage of the area.

The decision to settle in the Third Ward was not made lightly. For years, CMCH faced the challenge of constantly relocating due to rental constraints. Anne Lundy, the center’s music director, reflected on the pivotal moment when they chose to establish roots. “We realized that to truly serve our community, we needed a place where we could grow and thrive,” she explained. The discovery of the abandoned clinic proved to be a revelation. Its historical significance as one of the few remaining examples of early Black architecture in the neighborhood added immense value to the project. Laura Carrera from Urbano Architects highlighted the building’s unique features, including its welcoming courtyard and elegant terrazzo flooring. “This building has a story to tell, and we want to ensure that story continues,” Carrera noted.

The history of the clinic dates back to the mid-20th century when Dr. Michael Banfield commissioned his friend, John Chase, to design the facility. Chase, the first licensed Black architect in Texas, incorporated elements that emphasized light and air, creating a space that felt both functional and inviting. Despite its current state of disrepair, the building retains much of its original charm. Through meticulous research, Urbano Architects uncovered detailed drawings and photographs that revealed the clinic’s original beauty. They plan to restore key architectural details, such as the bronze fascia, ensuring that the renovated building remains true to its origins. “We’re not just restoring a building; we’re preserving a piece of history,” Carrera emphasized.

The transformation of the clinic into a music center represents a harmonious blend of past and present. The new design will convert the existing spaces into areas suited for musical education and performance. Rehearsal rooms, once used for medical examinations, will now echo with the sounds of practice sessions. Additionally, a new performance space will provide a platform for Black musicians to showcase their talents. Lundy expressed her excitement about the possibilities that lie ahead. “Our mission has always been to educate and inspire. With this new home, we can expand our reach and share the beauty of Black music with a wider audience,” she said. The project underscores the importance of preserving cultural landmarks while nurturing artistic growth, ensuring that the spirit of the Third Ward endures for generations to come.

The Community Music Center of Houston’s move into the historic clinic symbolizes a commitment to both preservation and innovation. By transforming a neglected building into a vibrant hub for music, the organization honors the contributions of past pioneers like John Chase. At the same time, it opens doors for future artists to explore and celebrate the richness of Black musical traditions. The revitalization of this landmark not only benefits the local community but also serves as a testament to the enduring power of cultural heritage. As the renovation progresses, the Third Ward will witness the rebirth of a space that promises to resonate with the melodies of tomorrow.